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“Reggaeton went inactive for a long time, ” he proceeded. “It ended up being required to make trap music, as it felt like reggaeton was stuck an additional age. ” a student that is self-described of belated and oft-controversial Tupac Shakur, Anuel thought reggaeton had reached its peak and thought Latin trap will be its successor.

Songs like “Nunca Sapo, ” where Anuel stations Rick Ross’ Teflon Don ethos and spits a grimy flow that is slow-tempo a sinister 808-laden instrumental, helped place a face to Anuel’s little-known name in america. On cuts like Farruko’s “Liberace, ” Anuel boosts their distribution for enjoyable and performs in the “Versace” rhythm popularized by Migos, whom all hail from Atlanta—the commonly credited birthplace of trap music. For Anuel, whoever life mantra “real hasta la [...]

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